{"id":36,"date":"2010-04-20T11:41:29","date_gmt":"2010-04-20T11:41:29","guid":{"rendered":"http:\/\/www.kimknoppers.dds.nl\/wordpress\/?page_id=36"},"modified":"2026-09-17T14:36:29","modified_gmt":"2026-09-17T12:36:29","slug":"home-kolom-1","status":"publish","type":"page","link":"https:\/\/www.kimknoppers.nl\/","title":{"rendered":"home kolom 1 &#8211; kim knoppers"},"content":{"rendered":"<p>I am Kim Knoppers, and my work as an independent curator, writer and lecturer is rooted in art history. After many years in Amsterdam, I recently moved to Almen, a small village in the Achterhoek. The name literally means &#8216;back corner&#8217;. It is a tucked-away kind of place, and yet nothing here is closed off. My work, in any case, carries me much further afield.<\/p>\n<p>From 2011 to 2021, I was senior curator at <a href=\"https:\/\/www.foam.org\/\">Foam<\/a>, Amsterdam&#8217;s photography museum, where I curated more than seventy exhibitions. I continue to work internationally, with recent exhibitions including <a href=\"https:\/\/verweymuseumhaarlem.nl\/linnaeus\/\">Living Mesh: A World Beyond Linnaeus<\/a> at Verwey Museum Haarlem, <a href=\"https:\/\/marubi.gov.al\/exhibitions\/the-lost-bazaar-of-shkoder\">The Lost Bazaar of Shkod\u00ebr: Reviving a Memory <\/a>at the Marubi National Museum of Photography in Albania and the Makryammos Ephemeral Art Residency on Thasos, Greece. I also teach at <a href=\"https:\/\/ecal.ch\/en\/courses-and-research\/master\/master-photography\/\">ECAL<\/a> in Lausanne and the <a href=\"https:\/\/www.icp.org\/school\/oyc\/curatorial-practices-photography\">International Center of Photography<\/a> in New York.<\/p>\n<p>Writing is another important part of my practice: it helps me see things more clearly and follow my curiosity in an essayistic, associative way. I have contributed to numerous catalogues and artist books, as well as magazines including <a href=\"https:\/\/www.foam.org\/foam-magazine\">Foam Magazine<\/a>, <a href=\"https:\/\/camera-austria.at\/en\/\">Camera Austria<\/a>, Unseen Magazine and <a href=\"https:\/\/aperture.org\/magazine\">Aperture.<\/a><\/p>\n<p>Explore my curating, writing, talks and research<\/p>\n<p>Read more about me<\/p>\n<p>Connecting:<br \/>\n<strong><a href=\"https:\/\/www.instagram.com\/kimknoppers\/\">Instagram<\/a> \/ <\/strong><strong>\u00a0<\/strong><strong><a href=\"http:\/\/nl.linkedin.com\/pub\/kim-knoppers\/3\/757\/289\">LinkedIn<\/a> <\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"I am Kim Knoppers, and my work as an independent curator, writer and lecturer is rooted in art history. After [&hellip;]\n&nbsp;<a href=\"https:\/\/www.kimknoppers.nl\/\">>>><\/a><\/a>","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"homepage.php","meta":{"footnotes":""},"class_list":["post-36","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.kimknoppers.nl\/index.php\/wp-json\/wp\/v2\/pages\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kimknoppers.nl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.kimknoppers.nl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.kimknoppers.nl\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kimknoppers.nl\/index.php\/wp-json\/wp\/v2\/comments?post=36"}],"version-history":[{"count":20,"href":"https:\/\/www.kimknoppers.nl\/index.php\/wp-json\/wp\/v2\/pages\/36\/revisions"}],"predecessor-version":[{"id":2664,"href":"https:\/\/www.kimknoppers.nl\/index.php\/wp-json\/wp\/v2\/pages\/36\/revisions\/2664"}],"wp:attachment":[{"href":"https:\/\/www.kimknoppers.nl\/index.php\/wp-json\/wp\/v2\/media?parent=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}